Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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James Jacques Joseph Tissot
Kathleen Newton In An Armchair
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ID: 73221

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James Jacques Joseph Tissot Kathleen Newton In An Armchair


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James Jacques Joseph Tissot

(15 October 1836 -- 8 August 1902) was a French painter. Tissot was born at Nantes. He studied at the École des Beaux-Arts in Paris under Ingres, Flandrin and Lamothe, and exhibited in the Paris Salon for the first time at the age of twenty-three. In 1861 he showed The Meeting of Faust and Marguerite, which was purchased by the state for the Luxembourg Gallery. His first characteristic period made him a painter of the charms of women. Demi-mondaine would be more accurate as a description of the series of studies which he called La Femme a Paris.   Related Paintings of James Jacques Joseph Tissot :. | The Thames | Two Sisters | Un Dejeuner | The Circus Lover | Hide and Seek |
Related Artists:
Frans Jansz van Mierisi
1635-1681 Dutch Frans Jansz van Mierisi Gallery
John Wolcott Adams
American Illustrator 1874-1925
Felicien Rops
Belgian Symbolist Engraver, 1833-1898 was a Belgian artist, and printmaker in etching and aquatint. Rops was born in Namur in 1833, and was educated at the University of Brussels. Rops's forte was drawing more than painting in oils; he first won fame as a caricaturist. He met Charles Baudelaire towards the end of Baudelaire's life in 1864, and Baudelaire left an impression upon him that lasted until the end of his days. Rops created the frontispiece for Baudelaire's Les Épaves, a selection of poems from Les Fleurs du mal that had been censored in France, and which therefore were published in Belgium. Rops's association with Baudelaire and with the art he represented won his work the admiration of many other writers, including Theophile Gautier, Alfred de Musset, St phane Mallarm, Jules Barbey d'Aurevilly, and Josephin Peladan. He was closely associated with the literary movement of Symbolism and Decadence. Like the works of the authors whose poetry he illustrated, his work tends to mingle sex, death, and Satanic images.






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